Javier, designer
portrait → assets/javier.jpg
Venezuelan, based in Ankara, Turkey — open to relocation

Hello, I'm Javier.

Motion designer and brand systems, with a self-taught edge in AI automation — turning ideas into things that move, and processes into things that run themselves.

The short version

Design that moves. Systems that run.

Two halves of the same habit: decide the rules, then let the thing work without me standing next to it.

Half one

Motion & graphics

Radio, TV & Film at Ankara University — trained to build the rules of a frame before filling it.

Client work since: logo builds, explainers, campaign cutdowns, brand systems that behave the same way every time they move.

Half two

AI & automation

Same habit, different output: self-hosted n8n tools that hand you leads, drafts or reports on demand — built to run on your own server, not rented back to you.

Already running for a paying client, not a side experiment.

&

What I do

Three things, done properly.

Most projects start with one and end up needing two. I build them so they hold together.

01

Motion & Animation

Logo builds, explainers, product loops, social cutdowns. Delivered in every ratio your placements actually need.

02

Brand & Art Direction

Marks, type scales, colour, spacing — plus the written rules that keep it consistent after I hand it over.

03

AI & Workflow Automation

n8n automations on self-hosted infrastructure: B2B lead generation, content pipelines, reporting. The repetitive half of your week, handed to a machine.

How I work

Rules first. Pixels after.

Three steps, every time. You always know which one we're in.

STEP 01

Set the rules

Audience, constraints, formats, the one thing it has to do. We agree on the system before anything gets drawn or wired.

STEP 02

Give it a pulse

You see it moving — or running — early. Not a static deck you have to imagine animated, and not a workflow you have to trust blind.

STEP 03

Keep it working

Design ships with master files and exports for every placement. Systems get set up on your server and stay on a monthly retainer, so if something breaks, I fix it.

3
Languages on the job — ES / EN / TR
BA
Radio, TV & Film — Ankara University
TR
Based in Turkey, working remote
2y
Experience in design and motion tools

Toolkit

The tools are boring. The output isn't.

Design & motion

Web & automation

Tap two or three — see what they add up to.

=

Pick two tools above.

Most jobs here are a combination, not a single tool.

Talk about this one

How that looks in practice

The task, what I did, what changed.

Two projects that could not look less alike. The same method underneath both.

Client · B2B trade advisory

NexTrade Advisory

Lead sourcing system
The task

Finding new clients was a full-time job nobody had time for: which companies fit, who decides inside, a real email address, a message that doesn't read like a template.

What I did
  • Every lead arrives scored, with the person who decides by name and title.
  • Each email is checked against the mail server, so nothing bounces.
  • A message written for that company waits in a private dashboard: read, adjust, send.
What changed

100 enriched leads in minutes. In the first 20 delivered, all 20 had a named person and 18 emails were confirmed by the receiving server. The time that went into searching now goes into conversations.

See the project
Graduation thesis · Animated short

A Frame of Distance

Concept · design · animation
The task

Turn Berry's acculturation model into a 2½-minute animated short — no dialogue, no characters, no narration. Only shape, color and motion.

What I did
  • Wrote a visual dictionary before animating: a polygon's number of sides shows how integrated it is, from a broken triangle to a circle.
  • Gave each stage its own palette and motion rule, from cold blue and abrupt cuts to saturated amber and slow, steady movement.
Result

A three-member jury gave it 100/100. An abstract theory a viewer can read without a single word of explanation.

See the project

A constraint isn't a wall.
It's the shape of the answer.

— how every brief here starts